The gentle pull of Wabi-Sabi

An artist’s work is not a flat line, one style equation. We get inspired, emotional and question things. We learn skills and combine elements and slowly our work changes.

Mine has taken many directions with some constants in terms of style, ethics and how it serves a purpose within a space or for a person. For the last couple of years, I was lucky to discover new techniques and skills that I had, dormant within me. All that being said, new skills can be both distracting and unsettling because the direction that seemed so clear on minute looks unclear.

But there is a reason why we change. We learn to absorb elements we believe in and that we feel are helpful to ourselves and to others. Last week, the teacher of my Mindful Art course lent me a book on Wabi-Sabi. [Wabi-Sabi is a philosophy embracing the cycle of life through natural materials and embracing imperfections]. I had for the last year or so collected images and elements linking to this Japanese philosophy but reading in depth about it shone a light on how much deeper some of my work wanted to go. Colours, textures, environment… all contribute to the direction of bringing mindfulness in how I work and soon on my teaching. Now the fact I tend to avoid bold colours makes complete sense. Or the need to improve environments to impact how people feel within them which has been with me for as long as I can remember. Funny how sometimes we know a feeling, emotion or impression but we have no words for it.

Wabi Sabi the Japanese art of impermanence

Wabi Sabi the Japanese art of impermanence

It is always worth to explore our hidden depths and feelings because they inform so much of what we do. We create from emotions which are sometimes bigger than us and it is good to know more where they come from. This book is not for everyone but if some of the peace explained within its page can shine through my work, I am happy.

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